![]() (We also begin to wonder: Why did this sophisticated, intelligent, Harvard PhD take a job as a therapist at a boys’ prison in this town? You’d expect her to be in Manhattan, charging exorbitant hourly rates to wealthy clients while living the high life. Eileen is a goner, but we’re not sure if Rebecca really has a thing for Eileen, or if she’s just bored to tears in this dull town and regards Eileen as a plaything to keep her amused. To Eileen’s surprise and delight, Rebecca takes a liking to Eileen, flattering Eileen’s potential, taking her out for drinks and dancing, even kissing. Rebecca’s accent is New York with just a touch of British, her demeanor is one of almost unnerving confidence, and even the act of smoking a cigarette or ordering a fancy cocktail in the local dive bar seems particularly dangerous and rebellious. ![]() Arriving in a red sports car with matching gloves and lipstick, her hair coiffed like a star, her figure encased in pencil skirts, Rebecca looks and sounds like she just walked off the set of a film noir. That’s you, Eileen.Įileen’s drab and gray life takes a sudden upturn with the arrival of one Rebecca Saint John (Anne Hathaway), the newly hired psychologist at the prison. Other people, they’re just filling space. Some people are the ones you watch, Jim tells his daughter. Initially, though, Eileen seems to be just going through the motions of life, whether she’s giving it about 60% at her clerical job at a local juvenile correctional facility, indulging in rather sad masturbatory fantasies or waiting hand and foot on her bitter and alcoholic and widowed father Jim (a typically great Shea Whigham), a former cop who spends his days and nights drinking himself into a stupor and berating Eileen for doing nothing with her life, even though he’s the reason she had to move back home. Opens Thursday at local theaters.Īt first she comes across as an unassertive wallflower but trust me when I say Eileen has layers. Rated R (for violent content, sexual content and language). Neon presents a film directed by William Oldroyd and written by Ottessa Moshfegh and Luke Goebel, based on Moshfegh’s novel. (As Eileen explains to a visitor, “Everybody’s kind of angry here - it’s Massachusetts.”) McKenzie delivers maybe the most compelling work of her career as the 24-year-old Eileen, who lives and works in a bleak, unnamed coastal New England town where if you so much as crack a smile, you’ll be regarded with suspicion. Welcome to Deeper Than Hair TV My name is Annagjid (Ahh-Nah-Kee) but you can call me Kee I will teach you the importance of healthy hair and how to achieve it the best way possible. Based on Ottessa Moshfegh’s award-winning debut novel from 2015 of the same name (Moshfergh co-wrote the adaptation with Luke Goebel), “Eileen” features the New Zealand actress Thomasin McKenzie ( “Jojo Rabbit,” “Last Night in Soho”), continuing to demonstrate her propensity for selecting terrific projects and her chameleon-like abilities to convincingly portray characters from various time periods and different corners of the world. This is a well-crafted, tightly spun, finely honed piece of work. This is not to say Oldroyd, who helmed the Florence Pugh-starring “Lady Macbeth” (2016), doesn’t have a distinct style of his own. It feels like we’re watching a Todd Haynes film as filtered through the lens of a Hitchcockian tale, with a late-story development that’s bat-bleep crazy but also gripping. and Mrs.Director William Oldroyd’s piercingly good, wild-ride psychological thriller “Eileen” is not only set in 1964, but it feels as if it were MADE in that time period, with the production values, costumes, camerawork and even the acting choices made by the leads all feeling authentic to that period. “I hope some people are like, ‘This is better than the original,’ and some people are like, ‘This is far worse.’” What Is ‘Mr. So, if everybody’s like, ‘Eh,’ we didn’t do a good job,” he said. “I just know how much people love the other one. While Glover might not be a die-hard fan of the 2005 flick, he acknowledged that the new show has big shoes to fill. ![]() I just wanted it to be something that spoke to people right now because in a time of abundance, why do we feel lonely?” “Let’s make a show dealing with relationships, but from this point of view, centering more on really what a marriage is and trust and teamwork and loneliness and all that stuff. “Why do people even get married anymore? Half of it ends in divorce - what’s the purpose?” Glover said. Smith when he first watched the film, and he wanted the show to take a deeper look at the institution of marriage. ![]() The actor admitted that he didn’t “understand” Mr. Glover noted during a November 2023 interview with Entertainment Weekly that the forthcoming series “gives you a different feeling” than the original movie. Maya Erskine, Donald Glover David Lee/Prime Video
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