Fish and Wildlife Service 2002 Laurie Fowler, U.S. (Hugh) Sparrow, British Columbia Fisheries 2004 Jim Van Tine, Department of Fisheries and Oceans Canada 2003 Einar Wold, National Marine Fisheries Service 2002 Robert R. Fish and Wildlife Service 2005 Bud Ainsworth, Idaho Department of Fish and Game 2004 R.A.H. Fish and Wildlife Service 2005 Charlie Smith, U.S. Holt, Oregon Department of Fish and Wildlife 2006 Harry Bennett Cox, U.S. Johnson, Colorado Department of Fish and Game 2008 Howard Fuss, Washington Department of Fish and Wildlife 2007 Richard A. Barngrover, California Department of Fish and Game 2009 Alvin D. Delarm, National Oceanic and Atmospheric Administration Fisheries 2009 John Modin, California Department of Fish and Game 2009 Bruce G. Smith, National Oceanic and Atmospheric Administration Fisheries 2010 Michael R. Peterson, Freshwater Fisheries Society of British Columbia 2011 Craig Clarke, Department of Fisheries and Oceans Canada 2010 R. Fish and Wildlife Service 2012 Gary Wedemeyer, U.S. Fish and Wildlife Service 2012 Joe Banks, U.S. William “Bill” Cox, California Division of Fish and Wildlife 2016 Larry Peck, Washington Department of Fish and Wildlife 2016 Andy Appleby, Washington Department of Fish and Wildlife 2016 Neil Turner, Washington Department of Fish and Wildlife 2015 Tony Amandi, Oregon Department of Fish and Wildlife 2014, no nominees 2013 Tom Rogers, Idaho Department of Fish and Game 2013 Tom Frew, Idaho Department of Fish and Game 2012 Wesley Orr, U.S. The article also includes projects from Italy, China, Uruguay, Poland, Iran, Hungary, Russia, and the United Kingdom.2017 Dave “Oz” Krueger, California Division of Fish and Wildlife 2017 Dr. From a water management system that targets the natural crises in Egypt to a structurally intertwined memorial in the United States, this round up of unbuilt projects showcases how architects responded to the contextual and spatial needs of their projects through innovative and local solutions. This week’s curated selection of Best Unbuilt Architecture highlights cultural projects submitted by the ArchDaily community from across the world. Ranging from educational facilities and museums, to art centers, libraries, religious halls, and memorials, these projects have enriched urban fabrics with cultural programs that have provided members of the community with places to learn, entertain, create, and unwind. The diversity of civic spaces in cities and rural areas have continuously showcased how strongly they explore human connections regardless of program, construction technique, scale, and geography. A well-designed vomitorium, for example, is essential for efficient emergency evacuation procedures, but even during day-to-day activity, the ability to move large numbers of people quickly helps with a venue’s turnover and creates a more pleasant crowd experience.Ĭavatina Concert Hall by Cavatina. Specifically, a wide, arterial corridor leading to or from a high-capacity public space such as a theatre, arena, or stadium, designed with the intention to get as many people in or out of the venue as quickly as possible. A vomitorium, therefore, is nothing more than a corridor. The original usage of the term ‘vomitorium’ – taken from the same Latin root ‘vomere’ – in fact refers to a room that allows a large building to disgorge itself of its contents. Although this theory was not entirely based on fiction – as Romans are known to have indeed taken up habitual regurgitation, possibly as a sign of excess wealth – there’s no reason to believe there was a specific room dedicated to the practice. It’s said that the vomitorium was a room that neighbored Roman feasts, where guests could socially eject the contents of their stomach before returning to the feast with renewed capacity. The vomitorium and its purpose is one of historical architecture’s most common misconceptions. Image © Photo by Nelson Ndongala on Unsplash A vomitorium is nothing more than a corridor, used for the efficient movement of people.
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